It’s a very experiential anything, I say, I know. For the most part, borne of something else. Unmeasured, but somehow lagging behind in
massive subtlety. All the new music is about Adam’s violent side. Comes out, once in a while, like a driftwood chill. And when the hectic lean, oh,
I feel wood. I would separate frost from dog if I could swear on cold. I want you
to meet the others.
* The sound of incantations The sound of craving prayers: over one’s sun over one’s sun over one’s
death makes flesh go up.
* I think I saw you once— in that room—the room that takes so long to write. (I think that gasp means you’ve guessed it!) *
Different in Winter
In this world of faulty shoes, eyes move faster than allegro & fall into laps of moist garments. Skin sinks in—stretches and attaches itself to choir bells. The martyrs,
with scissors, look over the water as the wishes come in. Fish sleep— hiding inside a new approach.
*
Si ne suis, bien le considere… I am not, I am perfectly aware of
how the accordion tore its rib and gave it to me. (why complex(ions))?
Said Dali to Lorca:
…escape
from the watch
and become
a new bodily joint—
in the place
that corresponds
to the sex organs
of bread crumbs…
View all posts by J.A. Markussen