Prelude One
Only the white lace stays lit.
Actually, it was the garden.
Burning rosemary, love, love,
I’m dancing my summer away.
Your voice an amulet
remembering my name.
I lied.
I said I was leaving.
*
A Woman Calls Back
Faithless, we come destroyed
with the smell of morning
in our hands.
I slept last night
as your guest in the pocket
and the pillow.
There were plenty of sweet lost leaves.
Not crafty in any way,
we break flowers.
Most things I cannot help.
*
Prelude Two
Our throats, our sore
Yes, this is my powdered paper-gaze,
your inked eyes and chin.
Meant to burn,
our magic turns petal-fisted
with drowsy thumbs.
We hide ourselves
like little feet.
Who wants rain or cool?
A glass kick in the ass
sounds just as free.
Look—
the bee balm spreads even
and even keeps the jigsaw puzzler’s lover
from spilling his own juice.
We’re still not getting any luckier
at where we lay our heads.
*
Forever the thirsty girl,
no one knows I love you
and your two-toned wingtips—
if you have them.
*
BUT ANYHOW (SORRY ABOUT THE
INK COLOR CHANGE) THANKS FOR
THE CARD YOU SENT ME, & SORRY
THAT I DIDN’T REPLY SOONER.
I WAS TRYING TO REMEMBER
ALL THE PLANT NAMES.
*
Learning to Look
The first face I see
when I look out the window hanging in the window
is cut from red velvet.
Didn’t we—
in the mirror?
A file for everything:
his boots, thunderclouds,
flowers—convertible—compressed
into scarred faces on thin fingers.
The little diamond is now a windchime.
Oh, what I’ve been missing.
I thought, At Last!
But this isn’t working.
This isn’t work.
Fingers placed on the pulse of fever.
Double when you kiss me.
Throat-itch,
the moon.
Yours lights,
mine beams.
This is what is
working.
Your mind without training wheels.
Sleep-twitch
tick, tick, tick
Attached to bashful
like Giselle with a tendon-stretch
a safe trip—
if we don’t go anywhere
Doesn’t anyone want me
to walk
on the moon again?
Because I can.
I mean:
I will.
*
My hand is caught
in the phlox.
That’s what the neighbors say.
Moving like glue,
or myself,
I drink from the same cup.
I will not share my childhood spoons.
*
You took your mind off lipstick
the night I was named Miss Kiss.
*
Answers to Questions I Was Asked Today
I could romanticize it—
that I could feel his breath on my skin.
Or, I could just say
he’s a mouth-breather.
A Visit to the Mister
This morning,
he has to get up early,
waking to walnut and oak.
Pay no attention as he reaches
for a nice white shirt.
He likes them wrinkled.
*
My failures to suspend
result in an appeared hero.
Sometimes I say
I’m not mad.
Thanks for the new pants.
They’re not new. You wore them last summer.
I thought I heard you say,
Shark! Shark!
But it was sharp.
I hide in white corners.
*
Prelude Three
Yes, we are together
in the sermon industry,
did you know?
We accept our word
rather than keeping it.
Our neighbor birds
do not like us.
They say we crowd the dove-bath.
We prefer tulips to phlox.
*
Prelude
The morning dove bleats in threes.
We take our eyes
to the one-hour photo,
and they come back as sideways glances.
Sara’s shoes are in the center circle.
She, I hear, has nice ones.
Julie’s shoes are in the—
blink, blink
to remember me by.
The o we weave
Forgive the giving in
Forget the ivy
convince me there is a tea-tree
show me how the bathroom mirror
Can you move over, teacup?
can you follow me, border, border, bored.
The rash you planted,
you can dig it up now.
We sweep.
I thumb the cup your lips touched.
Cream like that, border.
You can dig that rash up now.
I found a cove within a cave.
Something like a stain—
resembling something like a scream--
Prayer on the Eve of St. Agnes
Marie Laveau:
Call your daughters
to the circle of
their future lives!
Sisters:
Crowd around
like thunder clouds.
Join hands.
Dance,
and let moonbeams at your feet
conjure up
the unsuspecting Mississippi Sound.
Sugar,
mingled with jasmine perfume,
pink candles, and lilies like lambs:
Grant us dreams
of our beloveds.
Fingertips to lips
hands pressed to tombs—
touching names chiseled there
a hundred years ago,
but not forgotten.
Say,
I have something!
I have something
to say--
Portrait of Bradley Paul (in art deco)
Among stylized flower clusters.
Egyptologists, Spanish pears,
and Diaghilev’s minor ballets Russes,
one thing stood out: ornamented
in ormoulu, your bold patina impressed
with cold-painted bronze nymphets.
Fitted for electricity, your accurate darling anatomy—
muzzle buffing in the wild grapes. The myth lies—
all great objets are not in museums
among mass-produced baubles and bric-a-brac.
In this swaggered rose garden, you hide
a feathery hybrid creature
in a demilune of molded glass.
North of Point Conception
Found in the shallows
are men drowned by Bacchus.
Their faint faded heartbeats
heard only by divers
launched from glass-bottomed boats.
Naming the Bird
I decipher
(from your emphasis on try)
that I should be hearing
the literature in the turtledove’s hum
any day now.
But the morning melody
is always flat—the way moonlight
looks on a postcard.
You have not lived
until you are inside the facet of this jewel.
Mitternacht
The pines rise to meet
the earlier half of morning.
While we catalogue snowflakes,
our hands still age, migraines
happen every day, and I cannot love
you all. Outside, deep blue
becomes the right kind of influence.
Hard starts are pitched
from the plotline. Each eye blinks
with a different perception
of the spectrum
Love Will Make You Late for School
I pull your body off these pages,
torn. It died a raindrop’s death—
a little paler than before,
never blue. Today finally feels
the complicated structure
of our crimes. Look at the skyline—
a little bluer than before.
Unhappy, I clean the bones
buried beneath the language barrier.
On a canyon road, a cave
and sweets—gorgeous—ordered
with ease. Whatever she wants.
Whatever and such and such
and such.
There is something at the bottom
of the pool, but we’re not sure what.
Its loss is a poor bird carried under my cheek.
The complex structure of our contagion
dissipates in tepid drifts,
and I have become less aware of my sleeves
and their many inhabitants. It is the abuse and confusion
of something being painted over. The illusion
that you’re making something new.
You promise to tell me about the fruitstand,
the church. You promised
on many occasions.
Logique Carnivalesque
Maybe time spent wondering why
was time I should have spent improvising
with heavy metals. By the way,
where are you? I could hum some ballads.
You see, I chewed up more than I could spit out,
and I’m searching for ways to tease my tongue
back to purpose. We all speak language so fluently—
anyone our age should—it could be French. It could be
phantome, fantasia, plasma, plume. I may or may not
be ready. I am slow reader who fingers sentences.
It’s time for the childlike skins of larvae
to peel where you’re found alone—sketching portraits
of breasts in Bible-colored books. Beyond the medieval
thigh-wound convention, oafish loitering, and packing your pants
with “Love Psalms that Rock the Gods,” someone nods
as you mumble. You stumble over umber, which is burnt,
like the crayon, and I interpret this as your bloodline.
You brag of soft-slapping mothers, and for the first time,
patented technologies begin to perform simultaneously.
Little Webs of Ecstasy
Today I began courting
the nervous system. I was
nervous.
Les truths
limping over here,
now. I love
beside breasts and between
swallowed delicateness,
until.
Big river spills. Memorizing
previous drools, slobber-spells.
Rejuvenates the dead clams
on shore.
Little wonder no one drinks the water.
*
Iris-out
Blank spaces seem
to happen of late. What happened?
I mean, to cause this change. Reflections
bounce off my face. Once in a while
I just watch—that is, I hum.
*
Iris-in
I don’t want to sing like this anymore.
Desire is vein-colored, diluted under thick skin.
We attempt birthing backwards—into half lit
drops of ointment. We re-own our eyes
by staring at things.
*
I shift with the precision
of a hill. Oh, no one told me
about the bruising.
Little Lyric
So, clearly, no one can shimmy, pipe-down
into mortar. He gets plenty
without me. Shimmy, Ra. He—
love made sweet the minstrel. Drown himself,
down the pipe. Blows away, so much, down. Oh—
people like to look at me. Come on.
Let’s be seen—
swinging from our ankles.